Review

The Girl from Plainville delves into the chilling true story surrounding the infamous "texting suicide" case of Conrad Roy and Michelle Carter, capturing audience interest initially but faltering as the series progresses. While the first few episodes present an intriguing and factual take on the tragic events, the series stretches on unnecessarily, diluting its impact. With more ruthless editing, this story could have been far more powerful and concise, likely benefiting from a four-episode run.

Elle Fanning and Chloë Sevigny’s performances anchor the series, adding gravity and nuance to an otherwise inconsistent narrative. Fanning portrays Michelle Carter with unsettling precision, and Sevigny’s portrayal of Conrad’s mother captures the raw pain of a grieving parent. Without these two strong performances and the gravity of the real-life tragedy as its foundation, the series might not hold much appeal.

The Girl from Plainville: A teenage friendship, a suicide and a mission to  untangle the truth – The Irish Times

Where The Girl from Plainville struggles is in balancing fact with dramatic embellishment. What begins as a grounded exploration of a true crime story veers into odd, almost theatrical territory, especially with the addition of musical numbers that feel out of place and overly dramatised. The show’s attempts at an edgy format—with frequent timeline jumps—often detract from the flow, making it harder to track the story’s progression. This fragmented approach may have been intended to capture the chaotic nature of Carter and Roy’s relationship, but it mostly adds confusion and leaves viewers trying to piece together what’s happening.

The storytelling takes liberties with imaginary conversations and reconstructed text exchanges, sometimes blurring the line between what truly happened and what’s being interpreted or fictionalised. While these imagined dialogues might aim to convey Michelle’s internal monologue or bring depth to her perspective, it’s frustratingly unclear for viewers who lack the context of these characters' interactions. As a result, you’re often left guessing whether Carter and Roy have met in person or are communicating digitally, which, given the gravity of Conrad’s death, feels problematic. If these imaginary conversations were better distinguished from real events, it could allow the audience a clearer perspective on what might have truly contributed to Conrad’s death.

Elle Fanning, Colton Ryan on Portraying Michelle Carter, Conrad Roy

Despite its flaws, The Girl from Plainville raises important questions about the justice system and whether the legal outcomes were justified in a case as complex as this. Ultimately, the series is a sobering look at an emotionally charged case, but it’s weighed down by stylistic choices and unnecessary length that detract from what could have been a more potent exploration of tragedy, mental health, and legal responsibility.

Final Thoughts

The Girl from Plainville tackles a deeply sensitive and complex topic with a blend of strong performances and some creative missteps. It ultimately falls short of its full potential due to an over-reliance on dramatic embellishments and confusing narrative choices. While the show sheds light on important conversations about mental health, accountability, and the impact of digital communication, its convoluted structure and occasionally awkward musical sequences weaken its impact. That said, Fanning and Sevigny’s performances shine throughout, anchoring the story with emotional weight and nuance. For true crime enthusiasts and those interested in courtroom drama, this series offers an unsettling but thought-provoking look at a landmark case, though it might leave viewers wishing for a clearer narrative approach.