Nomadland

If you’ve ever been intrigued by the allure of the open road or the nomadic lifestyle, Nomadland is a must-watch. Chloé Zhao’s understated storytelling shines a spotlight on a small, often overlooked segment of society, immersing viewers in the rhythms of life on the road. The film eschews traditional plot structures in favour of a free-flowing narrative that mirrors the unpredictability and solitude of Fern’s journey.

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Based on Jessica Bruder’s non-fiction book, the film follows Fern (Frances McDormand), a widow who has lost her job and home in the aftermath of the Great Recession. Choosing a life on the road, Fern embarks on a journey through America’s vast and rugged landscape in her van, encountering a community of fellow drifters who share wisdom, camaraderie, and resilience.

The narrative is less about dramatic events and more about capturing moments. Through Fern’s travels, we meet real-life nomads who play themselves, offering authenticity to this contemplative exploration of a rarely seen way of life.
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Frances McDormand’s performance as Fern anchors the film with quiet power. Her portrayal of a woman caught between grief, independence, and the innate need for connection feels heartbreakingly real. Fern isn’t a flashy or particularly dynamic character; she’s an ordinary person making an extraordinary choice, and McDormand’s understated approach makes her story feel authentic and deeply human.
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The inclusion of real-life nomads adds a layer of documentary-like authenticity, as their stories and perspectives bring Fern’s world to life. The film’s minimalist approach—both in narrative and tone—creates a sense of realism that resonates with its subject matter.

Visually, Nomadland is stunning. Joshua James Richards’ cinematography captures the beauty and desolation of the American West with breathtaking shots of vast landscapes and intimate moments within Fern’s van. Ludovico Einaudi’s evocative score enhances the film’s emotional weight, perfectly complementing the story’s themes of solitude and resilience.
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However, Nomadland isn’t without its shortcomings. Its neutral tone and cyclical structure can feel repetitive, with little progression or variation in pace. The film avoids delving into the darker aspects of nomadic life—such as theft, physical harm, or mental health struggles—which could have added more depth and complexity. As a result, it offers a romanticized view of a lifestyle that undoubtedly comes with significant hardships.